HISTORY Michelangelo, Mannerism and Palladio by Matt Gaskin

venice - separate from italy in terms of archi style. mot a contemp city design.

MANNERISM -  PUSHING SMTH TO EXTREMES, playing with scale
DAVID - sculpture of michelangelo
SISTINE CHAPEL - mich painted 10 sq feet a day buy the end of its construction.
PIETA - vatican, michelangelo

S. LORENZO, florence - michelangelo and brunelleschi
play with walls, don t know if its decoration or structure.
windows arn t windows
emphasizing vericality of space
very little decoration
uses negative and positive space
(->VESTIBULE)
THE OLD AND NEW SACRISTY - playing games with architectural language#innovating material, use of classical language
bruny 2D
mich 3D

PALLADIO
humanist backgroung

VENICE
ship building craft
buildings made in
teh same manner as the ships
oil painting whereas in Florence - tempera, FLATTER PAINTINGS ON THE SURFACE,
awareness of nature, ondulating surface
2 light sources. from above and from the water and architects use that.

CA D'ORO (the Golden House), ANON (1422-1440)
timber foundations that allowes differents facets to the elevatuion as you move across it.

CHURCH OF SAN GIORGIO MAGGIORE (1566)
layering facades. tension in the arch space

PALLADIO - Quattro Libri (1570)

Thomas jepherson ? mimics work of palladio through transpotrt of his book in ships

VILLAS - rural architecture, escape from the urban

MALCONTENDA
building is larger and higer than the temple
two ways of gerrinf into the building so you have options if tehre s flood.
riverside, gardenside and differenr facades according to what they re facing

CAPRA
la Rotonda
sits on a hill outside la Cenza
every facade, different relationship to the landscape
not a farmhouse anymore
overemphasizing the importance of the pice of arch by the way of coming to the buildingg - cutting to the ground, working your way up

TRISSINO

BARBARO

BADOER

EMO
temple like, begins to think of landscape, a working farm
hirarchi of space- all are different from the following leading one
temple dominates
great views from different facades.

public, private, semi public, semi private according to social class. - palladio

GODI
smooth white surfaces because of good quality of light

ceilings
HARMONIC
GEOMETRIC
ARITHMETIC

RUDOLF WITTKOWER - understands pa;azios logic

Tartan grid
served space (Kahn)
approach (Corbusier)

VIRGINIA, hot summers, cold winters. palladios proportu=ions, two room deep houses, easy to heat or warm houses up. timber instead of stone is the difference.  all made because of Eobert Morris s bppk on villas proportions.