Barogie challenges rel inside outside.
Reneissance - blocks
People start realizing earth is ot flat and nit centre of unuversz.
Descartes - nithing is true
Everything is linked bt black
Transcendingvstatic untl dynamic -bernini marble statue
Formitecture
Piece if furnuture containef in architecture to relate scales.
Barogue vatican. Lw buughey. Adaptabikiuy to surrounding buukdibgs
Thibgs can have amotions and you can show that in buildings
You cannot identify whether it is designefd according to horizontal or verical lines
Obelix -marks a tuening point between the journey to all chirches
The vatican was selling places in paradise bit people jad to go on this pilhrimage to all curches in rome
Pietro da cortona
Building id growibg inside out
Buulding hzd no interior corners, single space
Bernini best sculptir
Bernini as an architevt notbso good.
Sculptird xivtril ofwhole point if view
Archutect, you cannitbsee rhe wholr buukdibg all at once
Bernin sculpture under obelisx. Managed to create a voin and object going in and out withing a solid thing
Stbpztres square
The collonade by bernini projects. If you mive in a straight line, you think the structure moves.
Interliquing curvature in a church in telhr corber of the street ti highlight uts importance
American folk art museum facade that us derached from rhe building. Take one part of the builing and fold it.
Beginnibg of people beibg liverte din fesign. Bringubg mire elements together that become a greater piece.
Hitel building is not important the effect takes ocer.
Se afișează postările cu eticheta LECTURES. Afișați toate postările
Se afișează postările cu eticheta LECTURES. Afișați toate postările
miercuri, 11 martie 2015
miercuri, 4 martie 2015
HOW TO RESEARCH CATALOGUES
http://www.jstor.org.oxfordbrookes.idm.oclc.org/ FULL PDFs
http://web.a.ebscohost.com.oxfordbrookes.idm.oclc.org/ehost/search/advanced?sid=f3407769-6920-467f-aee1-06fc56af88ff%40sessionmgr4003&vid=0&hid=4206
https://scholar.google.co.uk/
http://www.architecture.com/RIBA/Visitus/Library/Onlinecatalogueguide.aspx
- architectus talking about architcture
academic search complete -
LOOK AT THE NEWEST ARTICLE
LOOK AT THE BIBLIOGRAOHY OF THEA RTICLE YOU FOUND
3,4 DATABASES OPEN use same search in each. 4 hours to do the initial research
http://web.a.ebscohost.com.oxfordbrookes.idm.oclc.org/ehost/search/advanced?sid=f3407769-6920-467f-aee1-06fc56af88ff%40sessionmgr4003&vid=0&hid=4206
https://scholar.google.co.uk/
http://www.architecture.com/RIBA/Visitus/Library/Onlinecatalogueguide.aspx
- architectus talking about architcture
academic search complete -
LOOK AT THE NEWEST ARTICLE
LOOK AT THE BIBLIOGRAOHY OF THEA RTICLE YOU FOUND
3,4 DATABASES OPEN use same search in each. 4 hours to do the initial research
HISTORY Michelangelo, Mannerism and Palladio by Matt Gaskin
venice - separate from italy in terms of archi style. mot a contemp city design.
MANNERISM - PUSHING SMTH TO EXTREMES, playing with scale
DAVID - sculpture of michelangelo
SISTINE CHAPEL - mich painted 10 sq feet a day buy the end of its construction.
PIETA - vatican, michelangelo
S. LORENZO, florence - michelangelo and brunelleschi
play with walls, don t know if its decoration or structure.
windows arn t windows
emphasizing vericality of space
very little decoration
uses negative and positive space
(->VESTIBULE)
THE OLD AND NEW SACRISTY - playing games with architectural language#innovating material, use of classical language
bruny 2D
mich 3D
PALLADIO
humanist backgroung
VENICE
ship building craft
buildings made in
teh same manner as the ships
oil painting whereas in Florence - tempera, FLATTER PAINTINGS ON THE SURFACE,
awareness of nature, ondulating surface
2 light sources. from above and from the water and architects use that.
CA D'ORO (the Golden House), ANON (1422-1440)
timber foundations that allowes differents facets to the elevatuion as you move across it.
CHURCH OF SAN GIORGIO MAGGIORE (1566)
layering facades. tension in the arch space
PALLADIO - Quattro Libri (1570)
Thomas jepherson ? mimics work of palladio through transpotrt of his book in ships
VILLAS - rural architecture, escape from the urban
MALCONTENDA
building is larger and higer than the temple
two ways of gerrinf into the building so you have options if tehre s flood.
riverside, gardenside and differenr facades according to what they re facing
CAPRA
la Rotonda
sits on a hill outside la Cenza
every facade, different relationship to the landscape
not a farmhouse anymore
overemphasizing the importance of the pice of arch by the way of coming to the buildingg - cutting to the ground, working your way up
TRISSINO
BARBARO
BADOER
EMO
temple like, begins to think of landscape, a working farm
hirarchi of space- all are different from the following leading one
temple dominates
great views from different facades.
public, private, semi public, semi private according to social class. - palladio
GODI
smooth white surfaces because of good quality of light
ceilings
HARMONIC
GEOMETRIC
ARITHMETIC
RUDOLF WITTKOWER - understands pa;azios logic
Tartan grid
served space (Kahn)
approach (Corbusier)
VIRGINIA, hot summers, cold winters. palladios proportu=ions, two room deep houses, easy to heat or warm houses up. timber instead of stone is the difference. all made because of Eobert Morris s bppk on villas proportions.
MANNERISM - PUSHING SMTH TO EXTREMES, playing with scale
DAVID - sculpture of michelangelo
SISTINE CHAPEL - mich painted 10 sq feet a day buy the end of its construction.
PIETA - vatican, michelangelo
S. LORENZO, florence - michelangelo and brunelleschi
play with walls, don t know if its decoration or structure.
windows arn t windows
emphasizing vericality of space
very little decoration
uses negative and positive space
(->VESTIBULE)
THE OLD AND NEW SACRISTY - playing games with architectural language#innovating material, use of classical language
bruny 2D
mich 3D
PALLADIO
humanist backgroung
VENICE
ship building craft
buildings made in
teh same manner as the ships
oil painting whereas in Florence - tempera, FLATTER PAINTINGS ON THE SURFACE,
awareness of nature, ondulating surface
2 light sources. from above and from the water and architects use that.
CA D'ORO (the Golden House), ANON (1422-1440)
timber foundations that allowes differents facets to the elevatuion as you move across it.
CHURCH OF SAN GIORGIO MAGGIORE (1566)
layering facades. tension in the arch space
PALLADIO - Quattro Libri (1570)
Thomas jepherson ? mimics work of palladio through transpotrt of his book in ships
VILLAS - rural architecture, escape from the urban
MALCONTENDA
building is larger and higer than the temple
two ways of gerrinf into the building so you have options if tehre s flood.
riverside, gardenside and differenr facades according to what they re facing
CAPRA
la Rotonda
sits on a hill outside la Cenza
every facade, different relationship to the landscape
not a farmhouse anymore
overemphasizing the importance of the pice of arch by the way of coming to the buildingg - cutting to the ground, working your way up
TRISSINO
BARBARO
BADOER
EMO
temple like, begins to think of landscape, a working farm
hirarchi of space- all are different from the following leading one
temple dominates
great views from different facades.
public, private, semi public, semi private according to social class. - palladio
GODI
smooth white surfaces because of good quality of light
ceilings
HARMONIC
GEOMETRIC
ARITHMETIC
RUDOLF WITTKOWER - understands pa;azios logic
Tartan grid
served space (Kahn)
approach (Corbusier)
VIRGINIA, hot summers, cold winters. palladios proportu=ions, two room deep houses, easy to heat or warm houses up. timber instead of stone is the difference. all made because of Eobert Morris s bppk on villas proportions.
digi 3D Studio
Weld -tool used to fixthings and lake perfect shapes
Isolate and end isolate - to edit things individually
Export from rhino with ACIS .sat extension
Isolate and end isolate - to edit things individually
Export from rhino with ACIS .sat extension
miercuri, 25 februarie 2015
HISTORY Media
Giedion - cubism inspired arch
Walter benjamin - buildings are design so that it can be photigraphed and sent out to people to advertise
Arch has become something that is determined by its mediation
La plays itself movie
Adorno, horkheimer
The way arch is shown in films changed how we percieve it.
The erotic, the psychologically impure
The marrying man
Why do fools fall in love
Le Corbusier- media informs his interior spaces
BUT we don t know how the audience will decode its content
Walter benjamin - buildings are design so that it can be photigraphed and sent out to people to advertise
Arch has become something that is determined by its mediation
La plays itself movie
Adorno, horkheimer
The way arch is shown in films changed how we percieve it.
The erotic, the psychologically impure
The marrying man
Why do fools fall in love
Le Corbusier- media informs his interior spaces
BUT we don t know how the audience will decode its content
HISTORY Renaissance architecture
Return to classical arch of antiquity
Repriductions of a human body and proportions
Features on the ext continue on the int
Expecting repetition, continuity, conception
It looks fixed
Return to roman agora-piazza del popolo
Columns interract with human bodies
Palazzo-complete buiding,contained,one unit,symethry, itvalways feesls like you re in the centre of the building
Vettuvius-alberti, rucellai palazzo
Noli nap of Rome - later rep of baroque rome
Public and private space
Interesting way to concieve whatva city is, how public space is concieved
Italy - mixture of political societies
Cities attached to trade roudes
Free independene merchabts = burgeois using arch to gaon power
Persoective drawings
Beginnigs of architect as a position
Building different from conception - death of architecture
Repriductions of a human body and proportions
Features on the ext continue on the int
Expecting repetition, continuity, conception
It looks fixed
Return to roman agora-piazza del popolo
Columns interract with human bodies
Palazzo-complete buiding,contained,one unit,symethry, itvalways feesls like you re in the centre of the building
Vettuvius-alberti, rucellai palazzo
Noli nap of Rome - later rep of baroque rome
Public and private space
Interesting way to concieve whatva city is, how public space is concieved
Italy - mixture of political societies
Cities attached to trade roudes
Free independene merchabts = burgeois using arch to gaon power
Persoective drawings
Beginnigs of architect as a position
Building different from conception - death of architecture
DIGI
Copilot.net
Aftereffects program
Cad
Photoshop open pic check for good resolution
Levels color and luminosity
Illustrator
Obstects - image trace
Preset -line art/ 3 colors
Object -expand and delete black parts/ patts you don t need
And then export as dxf
Cad
Explode turns itbinto solid and lines
The more you explode the mire it turns into lines
Rhino
Draw curve
Extrudecurve
Save as 3ds files
Or as SAT for 3dstudio
Extrude curve on curve creates a cool shape (deaw two perp curves before)
Aftereffects program
Cad
Photoshop open pic check for good resolution
Levels color and luminosity
Illustrator
Obstects - image trace
Preset -line art/ 3 colors
Object -expand and delete black parts/ patts you don t need
And then export as dxf
Cad
Explode turns itbinto solid and lines
The more you explode the mire it turns into lines
Rhino
Draw curve
Extrudecurve
Save as 3ds files
Or as SAT for 3dstudio
Extrude curve on curve creates a cool shape (deaw two perp curves before)
miercuri, 11 februarie 2015
HISTORY Art history and Architecture
citica - incercarea de a intra in subconstientul artistului si a descoperi mecanismele ascunse pe care le-a folosit atunci cand a creat propria lui arta.
RENAISSANCE - 3D landscape, perspective, relationshiop between chacaters.WHY?
HEGEL - philosophy of history (1770 - 1831) progress of art and history through time
BURCKHARDT - (1818 - 1897) how the Reneissance occured in Italy. Why Italy?
WOLFFLIN - (1888) How Renaissance transformed to Baroque?
GIEDION
PEVSNER - tought by Burckhardt - looking at MODERN architecture
MODERN architecture - suspended, public space, stairs, architecture is visible, enjoyable.
is there a motive behind architecture?
how can you prove how a specific architecture works into your architecture while aslo taking into consideration what architecture in that time meant to the people in that time. Corbusier didn't do this.
RENAISSANCE - 3D landscape, perspective, relationshiop between chacaters.WHY?
HEGEL - philosophy of history (1770 - 1831) progress of art and history through time
BURCKHARDT - (1818 - 1897) how the Reneissance occured in Italy. Why Italy?
WOLFFLIN - (1888) How Renaissance transformed to Baroque?
GIEDION
PEVSNER - tought by Burckhardt - looking at MODERN architecture
MODERN architecture - suspended, public space, stairs, architecture is visible, enjoyable.
is there a motive behind architecture?
how can you prove how a specific architecture works into your architecture while aslo taking into consideration what architecture in that time meant to the people in that time. Corbusier didn't do this.
HISTORY Ancient Greece
GREEK TEMPLES - stone made to look like timber
cella/maos and ronaos closed to priests
architecture is COMPLETE AROUND
achitecture - specific to people s relationship to GOD (understandong what is celebrated through forms of atchitecture)
AGORA, Morgantina, Sicity, 5th- 3rd C BC -market place and meeting place of citizents of greek city, heart of a city. the police - heart of the coty (city itself as a physical place and that specific group of people)
-exchange place. exchange of political ideas and goods
STOA, Morgantina, SIcity -
theatre ARYKANDA, Turkey - establishing a relationship with the Gods again, not with the performer.
The performance is about the faith of the human being and space becomes a reflection of policics, sexuality, soul and political views of the day.
STADIUM -
olympics - greeks found sense of sharing cultural views.
what can we do in this world to aurvive it and survive it well
Maison Carre, Nimes, France - fresh as a daisy :) ROMAN TEMPLE
inside the cty and RAISED UP
opposite to GREEK temples, on a PRIVILEDGED SPOT, on a hill or something.
ROMAN TEMPLES.- exhibition in an urban environmenmt
similar features to the greeks but much more ELASTIC
AMPHITHEATRE, Nimes, France
the arch - roman characyteristic of an amphitheatre. you can put in anywthere you want
architecture comes from the technical art of constructing out of wood but romans changed that with arches! you wouldn t think of doing a wooden arch. So are the origins of architecture in WOOD or STONE? the arch - powerful technology imn producing architecture, becomes symbolic of VICTORY and WALL. it allows you to go anywhere, anytime so you can place the building anywhere.
romans - observing other architectures and making them their own
PANTHEON, Rome - biggest dome in the world for a long period of time.
concrete. produced the dome with it with the occulus in the centre.
PONT DU GARD, Nimes, France
clean water - essential to build a city.
for greeks there was a limit to how big their cities could grow proportional to clear water.
they could give porple that through bringing the water inside the city from elsewhere. this is what Pont du Gard does.
FORUM = eq of greek Agora for Romans
ROMAN CITY - expansion through military power
HADRIAN'S VILLA, Trivoli, Rome - celebration of the arch
the roman emperor placed all architectural elements so that the emperor has command of the universe. very different form greeks. the emperor understands himself as the ruler of the universe.
distinct relationship to landscape is what made ROMAN ARCHITECTURE different from the rest.
cella/maos and ronaos closed to priests
architecture is COMPLETE AROUND
achitecture - specific to people s relationship to GOD (understandong what is celebrated through forms of atchitecture)
AGORA, Morgantina, Sicity, 5th- 3rd C BC -market place and meeting place of citizents of greek city, heart of a city. the police - heart of the coty (city itself as a physical place and that specific group of people)
-exchange place. exchange of political ideas and goods
STOA, Morgantina, SIcity -
theatre ARYKANDA, Turkey - establishing a relationship with the Gods again, not with the performer.
The performance is about the faith of the human being and space becomes a reflection of policics, sexuality, soul and political views of the day.
STADIUM -
olympics - greeks found sense of sharing cultural views.
what can we do in this world to aurvive it and survive it well
Maison Carre, Nimes, France - fresh as a daisy :) ROMAN TEMPLE
inside the cty and RAISED UP
opposite to GREEK temples, on a PRIVILEDGED SPOT, on a hill or something.
ROMAN TEMPLES.- exhibition in an urban environmenmt
similar features to the greeks but much more ELASTIC
AMPHITHEATRE, Nimes, France
the arch - roman characyteristic of an amphitheatre. you can put in anywthere you want
architecture comes from the technical art of constructing out of wood but romans changed that with arches! you wouldn t think of doing a wooden arch. So are the origins of architecture in WOOD or STONE? the arch - powerful technology imn producing architecture, becomes symbolic of VICTORY and WALL. it allows you to go anywhere, anytime so you can place the building anywhere.
romans - observing other architectures and making them their own
PANTHEON, Rome - biggest dome in the world for a long period of time.
concrete. produced the dome with it with the occulus in the centre.
PONT DU GARD, Nimes, France
clean water - essential to build a city.
for greeks there was a limit to how big their cities could grow proportional to clear water.
they could give porple that through bringing the water inside the city from elsewhere. this is what Pont du Gard does.
FORUM = eq of greek Agora for Romans
ROMAN CITY - expansion through military power
HADRIAN'S VILLA, Trivoli, Rome - celebration of the arch
the roman emperor placed all architectural elements so that the emperor has command of the universe. very different form greeks. the emperor understands himself as the ruler of the universe.
distinct relationship to landscape is what made ROMAN ARCHITECTURE different from the rest.
HISTORY intro 04/02
describe one piece of architcecture that you have had direct experience of and use the ideas of one theorist provided in the lectures to ananlyse that architecture
SYNOPSIS 20%
title
250 w
structure w bulletpoi nts
illustrations
chapters
references
design
wordcount for every topic
entirely digital
SYNOPSIS 20%
title
250 w
structure w bulletpoi nts
illustrations
chapters
references
design
wordcount for every topic
entirely digital
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