internships

http://www.kirkwoodmclean.com/
https://www.dezeenjobs.com/job/internship-paid-at-kirkwood-mclean-architects

https://www.dezeenjobs.com/job/intern-at-amos-and-amos

http://www.aukettswanke.com/

http://www.internshipinlondon.com/architecture/architectural-intern/45

Give me love.

When the night is young.
When you feel torn between missing someone and hating all they've done to you in the same time
When you want to ask why and you know the answer is just because they can, just because they have an influence
When you lost hope
When you wonder if there was any truth, ever
When you want to be strong yet the weak side in you searches for lyrics in every song just so you find something that maches with what's in your heart
When you wish you'd turn back time and just relive. Just to get to touch their cheek with love and rest your head on their chest, feeling like you belong to eachother, feeling like you have nothing to be upset for, because they havn t given you the reason yet
When you simply don't know. If you love, if you hate, if you've forgiven or never will
When he is just a big question mark. The big question to your life.

DESIGN crit research

http://catherinesimpsondesign.com/urban-design-experience/
http://alternative11.livejournal.com/33423.html
https://www.google.co.uk/search?q=wooden+pavilion&espv=2&biw=1292&bih=530&source=lnms&tbm=isch&sa=X&ei=l-sPVefrLIK8Ucuig7AH&ved=0CAYQ_AUoAQ#tbm=isch&q=timber+pavilion+shading&imgdii=_&imgrc=Aixz7CnO6zyyMM%253A%3BUDaMQyfmhM5-XM%3Bhttp%253A%252F%252Fic.pics.livejournal.com%252Falternative11%252F13954746%252F45757%252F45757_600.jpg%3Bhttp%253A%252F%252Falternative11.livejournal.com%252F33423.html%3B600%3B272
http://www.dailymail.co.uk/news/article-2557760/Havent-seen-news-Developers-pick-worst-possible-time-launch-plans-outdoor-SWIMMING-POOLS-Thames-river-floods-banks.html
http://www.sturdi-built.com/greenhouse-catalogs-downloadable/superior-autovents/
http://www.sturdi-built.com/greenhouse-customization/greenhouse-styles-sizes/a-green-type-of-greenhouse/
https://www.google.co.uk/search?q=Soft+House,Sheila+Kennedy&es_sm=122&source=lnms&tbm=isch&sa=X&ei=4VUPVeyiKobjaKnIgoAC&ved=0CAcQ_AUoAQ&biw=1292&bih=873#tbm=isch&tbs=rimg%3ACY8ZVJMij7NFIjjofWaTwli4G1gFfAFrpMShJj_1zQm8lZqRlVeBafwqYiqBYJRqdjRUPVufZ1XDfF44dLzhBCUK1SyoSCeh9ZpPCWLgbEfc0fNvMP1_1IKhIJWAV8AWukxKERIfBkLMadkKIqEgkmP_1NCbyVmpBGuDesN40tVsioSCWVV4Fp_1CpiKEWosRepdMn3vKhIJoFglGp2NFQ8RTdALowmJHXcqEglW59nVcN8XjhEh8GQsxp2QoioSCR0vOEEJQrVLEeoG-UOLofpX&q=Soft%20House%2CSheila%20Kennedy&imgdii=_&imgrc=6H1mk8JYuBv1rM%253A%3B9zR828w_X8gZGM%3Bhttp%253A%252F%252Fs3.amazonaws.com%252Feuropaconcorsi%252Fproject_images%252F4001036%252F10-1027-sections_shaft_full.jpg%3Bhttp%253A%252F%252Fdivisare.com%252Fprojects%252F236804-Kennedy-Violich-Architecture-The-Soft-House%252Fimages%252F4001036%3B988%3B624

DIGI curved lines and rendering

Arc se for apecific curved points

Turn rectangle with point / snaps on and trace over it
Arc plus se for cur es

Zoom into extents
Pline
Trace



Illustrator
Trace
Img trace pabek
Threshold to max
Color greyscale
Advaced - to max

Export dwc bunber col 8

Then open and EXPLODE


Finished plab expory as pdf open in photoshop
Make areas a cokor
Select color range
Go to the other layer
Select gradient
Draw line
Boom!

Just selet layer with colors and save as pdf

For a good quality phitoshoped plan or section
Go to illustratir
Ipen the vector plab
Select all
Go ti itger drawing with ahades
Let them overlap


For rendering
3d studio
Mental ray
Nvidia worjs better with a better graphics card
Nd you can choose how long ot wikl take to render

Export as sat for curvy obsects from rhino to 3ds
Or as 3ds for non curvy objects

And change materials!!!

HISTORY aestetics and beauty

Arch and aestetics

Mosern science
Descartes . I know that i fo think
Foundation for descarted. You can t trust anything other tgat thought.
Dualism - mind snd materiality
Geometry, numbers are goven.

John locke - nonsense!
Knowledge only grom experiencr
Tabula rasa. Everything is trstinle and referable to.

Sensation and reflection
Exp of stiff and exp  of ideas

Burke - how we sense the world.
No classical accounts of beauty
Distinction between beautiful snd dublime as sensation.
Beauty - attraction
Sublime - fear, retreat from
Painting and nature are the same



Reynolds
Art is imitative
Aestetics is an abstraction from exoerience

18th cebtury
 
Pevsner
We see beauty according to who we are socially and politucally

Jonathan hill -wather arch

Kant - reconcile descartes and reynolds
Neither resolve
There is a wod we are experiencing nut we exp theough categories of reason.space and time
There is no quality of space and rime of the world, they are of mind.

Taste and easthetic judgementa are different.
We can have SHARED experiences of judgements.
And easthetic judgements has an oUGHt . You ought to seenit like i do.
 We share spaw and timeZ aestetic we cand and have to construct

Theodir Adorno
He contains beautiful and sublime within social changes.
Art is a social institutions. It has a set of functions historically. It has roles.
Role of contemporary modern art.
Modern art has one sole frunction. It has no function at all.
T frees out from the entrapment of contemporary society. It throws us out if the world as we look at it.
It frees us from structure of society

Peter burger

Eisenman - opositions
Freeing architevture
It inky challenges formal aspects of architevture
Exploration of space. Retreat and escape from functional requirements.
Taken further by koolhans
Arch must provide space outside social regulations of society

HISTORY French Rationalism and English Picturesque

French rayionalism and  the english picturesque

Apogy of baroque
Luquid space
Trapped on a decorativebsurface

Claude perrault E facade of Louvre Paris
Columns are beginjng to suggest that rhwy hold building up

Gothic cathedral - most imp arch for france
Reconcile gothic, antiquity, classical language - project of perault

Marc antoije laugier - essai sur l architecture
-aech is derived from an understandibg if nature
Soufflot - pantheon paris
Looks classical but has a grid, combo of columns and arches so a comb of gothic with classical
It is supposed to be an engineered solition to space
It doesnt stand up so it needs iron reinforcements

Rondelet develops response by creating hystory of arch based on HoW buildings are built

Violle le duc - brilliance on how things are done
Reconstructed notre dame
He likes glass iron prefb / open mind!!
Early 19th c, he vad visions of le corbusier.
Relational understanding if how to produce buildings
Recknstructed gothibg using new techniques


Durand
He looks at arch and reduces every style to a grid. all atch can be reduced to grid. - utopian projevts at the time that attwnpt to construct architecture that emcompas people and place at that time

They have a machine like quality and a symbol

Ledoux actually nuulds his utopian projects
Project for barriers. Arch as machine for extracting currency out of people whi entered paris
French revokution took them down
Negative utopia that wa realised but not liked by people

Choisy - histoire de l architecture
Constructed out of axonometrica that capture arch completely
Something that emerges grom plan and works up


The english picturesque

Reaction to purpose of garden and experience derived from establishment of an empire and derived from going away and stealing other people s stuff

Chiswick house lord blabla
Lieks palladio makes his house the same but GARDEN is interesting
Axial ordering of garden cut coincidental experience. You encounter pieces of arch if antiquity with no coherence. Ruined little elementa constructed to be looked at.
To catch our eye and acts as i cudent within the labdscape. Refers to roman architecture that englishman saw in apintings
Arch becomes elements isolated wothin natural nadscape highly constructed so ir t appeares incidental.
Creating endless series of shapes for lanscape garden

Clumping if trees - kent
Si that they become a point within the view and a way of framing the view.
It is YOu that cibstructes landscape upon your experience of the landscape. We are all kings in the landscape.

People new to money and independent. Construction a landscape for theor leisure and discourse.

Piranesi - artist attractive for english archutects because of how he depicts ruination of architevture in paintings. He captures a notion of time. Important fir chambers and soane
Piranesi - clue to how to conciwvw arch as narrative. Development of arch over time
Arch must submit to mature forces of time and erosion.

British empire recovers other cultures. Such as sharawadgi - from exotic lands if china

Outside paris - garden chamb

Book: wether architecture - best response for architecture would be to make arch respond to weather, decay, nature and we should reciver estethic pronciple of the picturesque

DESIGN AND DIGI inspo

http://projectsreview2011.aaschool.ac.uk/students/lionel-eid

SYNOPSIS FINAL

Somerset House: Experiencing Somerset House through London Fashion Weekend, technology and Giedion

aim: What I want to know is how technology - a powerful tool within a contemporary event - changes the way that people experience the 19th C Somerset House,

I will analyse that through the London Fashion Week, an event that take place at the Somerset house twice every year
.

Technology is an essencial part of a contemporary event such as the LFW through lighting, music, projections, and marketing strategies. How does technology revolutionize the way that a 19 C building is experienced by a specific audience, what was my experience through Somerset House at the LFW and what is the logic behind how each space within and ouside the building was allocated to LFW.

method: The evidence that I am going to use is my own account of walking my way through the 2 day event, drawings, diagrams, maps and pictures of the Somerset House and published work about the unwinding of LFW. My provided interpretation will be a comparison to Giedion's holistic view architecture, how he connects it to cultural context and art history. A key reference to my essay will be his book, Time, Space and Architecture.

theory: As a parallel to the way Giedion was looking at the success of engineering arising with the industrial revolution and how this impacted modern architecture, I will analyse the way that technology is incorporated within a contemporary event and, in this case, how it filters through the neo-classical Somerset House by influencing not its shape, but the experience though the building.

object: the Somerset House, the LFW

structure:

introduction - the revolution of technology in the present Century, what boundaries it took down, how it effects the experience of a building through and event.

part one – How Somerset House’s past informs current exhibitions and events

           

part two – the development of LFW at the Somerset House and how technology is used to showcase such an event

part three - the Division between courtyard - incorporation of technology, and the ground and first floor of the building.

conclusion - how successful was Somerset House as a host for LFW from a spacial point of view, how the event shapes the reputation of a former Tudor Palace, the symbiosis between the two and technology and their fusional meaning within the fashion and art industry.

bibliography:

'An Architectural Theory Of Relations'. Journal of the Society of Architectural Historians 73.2 (2014): 226-247. Web.

Evers, Bernd, and Christof Thoenes. Architectural Theory. Köln: Taschen, 2003. Print.

Giedion, S. Architecture And The Phenomena Of Transition. Cambridge, Mass.: Harvard University Press, 1971. Print.

Giedion, S. Space, Time And Architecture. Cambridge: Harvard University Press, 1967. Print.

Kruft, Hanno-Walter. A History Of Architectural Theory. London: Zwemmer, 1994. Print.

Landau, Royston. 'Architectural Discourse And Giedion'. The Journal of Architecture 1.1 (1996): 59-73. Web.

Cairns, Graham. Design For A Complex World. Print.

Coates, Nigel. Narrative Architecture. Chichester, West Sussex: Wiley, 2012. Print.

Kwinter, Sanford. Architectures Of Time. Cambridge, MA: MIT Press, 2001. Print.

Mertins, Detlef. Modernity Unbound. London: Architectural Association, 2011. Print.

Moeran, Brian, and Jesper S Pedersen. Negotiating Values In The Creative Industries. Cambridge: Cambridge University Press, 2011. Print.

Solkin, David H. Art On The Line. New Haven, Conn.: Published for the Paul Mellon Centre for Studies in British Art and the Courtauld Institute Gallery by Yale University Press, 2001. Print.

YouTube,. 'Art Talk With The ICA, London: The Influence Of Technology'. N.p., 2015. Web. 19 Mar. 2015.

HISTORY inspo

http://www.archodos.com/#!Giedions-SpaceTime-Figures-as-Analytical-Framework/cd23/6C4FDD3E-AA54-414C-8B95-925D0AA09B68

HISTORY floor plan Somerset

http://www.londonfashionweek.co.uk/uploads/media/28/16526.pdf
FLOOR PLAN

HISTORY MAJOR INSPO

http://www.bbc.co.uk/news/business-31603012

DESIGN model inspo

https://www.google.co.uk/search?q=jeu+de+paume+vogue+expo&safe=off&espv=2&biw=1680&bih=915&source=lnms&tbm=isch&sa=X&ei=2_4FVbXJGIfVarj3gcAJ&ved=0CAYQ_AUoAQ#safe=off&tbm=isch&q=jeu+de+paume+vogue+expo+paris+2010&imgdii=_&imgrc=AnyS6ZRdb1tqkM%253A%3B5-81DzxwGUH20M%3Bhttps%253A%252F%252Fi0.wp.com%252Ffarm6.staticflickr.com%252F5269%252F5635169869_e45997408e_b.jpg%3Bhttps%253A%252F%252Ffireplacechats.wordpress.com%252F2012%252F06%252F%3B826%3B532

SYNOPSIS

As with all cultural and architectural currents that have evolved during time, I think it is important to  take into very close account the context in which they were born. Baroque started at a turning point in human history when Galilei’s theory suddenly proved that the earth is not flat and Descartes’s rationalist ideas shaped the way people looked at what is true and what we now call perception.

We live in an era when we discover that the physical world no longer has boundaries. Technology is an incredible tool and I think one of the most powerful boundaries that it managed to dematerialize is distance. Technology connects people from distant corners of the world through photos, hashtags, similar interests or skills. And that, I believe, revolutionizes the way we perceive relationships, work, art and entertainment. That leads to a generation gap between us and our parents and exposes us to a whole new set of choices our parents have never previously experienced. How much time do I spend flicking though the media? How much of my private life do I want to show? How many people do I have to reply to on the social media every day so that I have time for actually interacting with other people?

Simple questions like that pop through our minds every day and even if they don't, we answer to them instinctively and automatically through our daily routine. 

And from a social point of view I believe that our world is confronting a turning point, similar to that of the 1600s. 

That, of course, 

technology
fashion
accesibility of high end fashion to a larger public
sommerset house

choridor - common path and walkway through shops

how does the architecture of sommerset house relate to a contemporary event like the london fashion weekend

relationship old-new

and old setting becomes pcomtemporary through hosting and adapting to new requirements.
in fact, it's the event that adapts to the layout of the building and needs to be designed accordingly

Somerset House : how a contemporary event such as The London Fashion Weekend changed the public experience of a building

Somerset House: experiencing a building throough the binocle of the London Fahsion Weekend

http://londonfashionweek.co.uk/uploads/media/17/16669.jpg
http://en.wikipedia.org/wiki/Jacob_Burckhardt
http://en.wikipedia.org/wiki/Heinrich_W%C3%B6lfflin
http://en.wikipedia.org/wiki/Space,_Time_and_Architecture
http://connection.ebscohost.com/c/articles/97911346/day-life-of-somerset-house
http://connection.ebscohost.com/c/articles/79576622/harriman-steel-creates-wayfinding-london-fashion-week-events
http://www.londonfashionweek.co.uk/content/2311/About-Showrooms
http://londonfashionweek.co.uk/uploads/media/17/16669.jpg
http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/1423982?Search=yes&resultItemClick=true&searchText=Sigfried&searchText=Giedion&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3D%2BSigfried%2BGiedion%26amp%3Bprq%3DLONDON%2BFASHION%2BWEEKEND%2BSOMErset%2Bhouse%26amp%3Bgroup%3Dnone%26amp%3Bwc%3Don%26amp%3Bacc%3Don%26amp%3Bfc%3Doff%26amp%3Bhp%3D25%26amp%3Bso%3Drel&seq=1#page_scan_tab_contents
http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.1525/jsah.2014.73.2.226?Search=yes&resultItemClick=true&searchText=Sigfried&searchText=Giedion&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3D%2BSigfried%2BGiedion%26amp%3Bprq%3DLONDON%2BFASHION%2BWEEKEND%2BSOMErset%2Bhouse%26amp%3Bgroup%3Dnone%26amp%3Bwc%3Don%26amp%3Bacc%3Don%26amp%3Bfc%3Doff%26amp%3Bhp%3D25%26amp%3Bso%3Drel
http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25147909?Search=yes&resultItemClick=true&searchText=Sigfried&searchText=Giedion&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3D%2BSigfried%2BGiedion%26amp%3Bprq%3DLONDON%2BFASHION%2BWEEKEND%2BSOMErset%2Bhouse%26amp%3Bgroup%3Dnone%26amp%3Bwc%3Don%26amp%3Bacc%3Don%26amp%3Bfc%3Doff%26amp%3Bhp%3D25%26amp%3Bso%3Drel&seq=1#page_scan_tab_contents
https://capitadiscovery.co.uk/brookes/items/1177694?query=benjamin+for+architects&resultsUri=items%3Fquery%3Dbenjamin%2Bfor%2Barchitects%26facet%255B0%255D%3Dformat%253A%2522ebook%2522&facet%5B0%5D=format%3A%22ebook%22

http://www.tandfonline.com/doi/pdf/10.1080/13602369609545510  Royston Landau (1996) Architectural discourse and Giedion, The Journal of Architecture, 1:1, 59-73, DOI: 10.1080/13602369609545510


title: Somerset House: a contemporary experience through London Fashion Week

Somerset House: Experiencing the London Fashion Weekend through architecture, technology and Giedion

The intrinsic role of Somerset House within the London Fashion Week

anchoring a modern event within 

parallels in methodology of a contemporary event and a 19th century London heritage building

a hidden unity

a parallel to Giedion's anchor of modernity within the past.


question:

aim: What I want to know is what role does London's grand neoclassical Somerset House play within the experice of the London Fashion Week event and its marketing.

method: The evidence that I am going to use is drawings, diagrams, maps and pictures of the Somerset House and published work about the unwinding of LFW. My provided interpretation will be a comparison to Giedion's holistic view architecture, how he connects it to cultural context and art history. A key reference to my essay will be his book, Time, Space and Architecture.

theory: Just as Giedion was looking at the success of engineering arising with the industrial revolution and how this impacted modern architecture, I will analyse the way that technology shapes the way we experience an event and how it is integrated within 19th Century architecture.

object: the Somerset House, the LFW

structure:
introduction - the biannual transforation of Somerset House for the tumult of fashion designers that showcase their work for London Fashion Week. Division between courtyard - incorporation of technology and the ground and first floor of the building. In a sense a revival and scribble over the building's sober pastand a great addition to the creative environment that it has built over the past years.

part one - 
part two - 
part three - 
conclusion - 

synopsis:
essay structure: (bullet points)

illustrations:

list of references:

Evers, Bernd, and Christof Thoenes. Architectural Theory. Köln: Taschen, 2003. Print.Kruft

Hanno-Walter. A History Of Architectural Theory. London: Zwemmer, 1994. Print.

http://www.somersethouse.org.uk/history/since-the-18th-century

DIGI timber cad model precedent

http://www.actonostry.ca/projects/pac/

DESIGN FRAGONARD images

http://independenttravelcats.com/2014/03/21/visit-grasse-france-creating-my-own-perfume/

DESIGN laminated glass tech

http://www.archiexpo.com/prod/toughglaze/laminated-glass-panels-curtain-walls-66653-1406951.html

https://www.google.co.uk/search?q=tea+flowers+istanbul&espv=2&biw=1680&bih=916&source=lnms&tbm=isch&sa=X&ei=InoBVerELMLfUbObgNAN&ved=0CAYQ_AUoAQ#tbm=isch&tbs=rimg%3ACbqcSigNrtNBIjiIyae-JpKU45DuhBmnKcIe8LawbGaDubyw6FofLoXn6RnsaT13iNkZdSeZOHU4hidfMvd2zBUFjCoSCYjJp74mkpTjEXe-7WKk2O00KhIJkO6EGacpwh4R_1hzQUEiOAfAqEgnwtrBsZoO5vBH-HNBQSI4B8CoSCbDoWh8uhefpER35nEeFbphhKhIJGexpPXeI2RkRZveeFu-pygMqEgl1J5k4dTiGJxFrfsDUjuehpSoSCV8y93bMFQWMEWKx8Tvis7Yt&q=laminated%20glass%20wall%20section&imgdii=_&imgrc=9V659qncIwvHfM%253A%3BAd-sL_BMccstdM%3Bhttp%253A%252F%252Fimg.archiexpo.com%252Fimages_ae%252Fphoto-g%252Flaminated-glass-panel-curtain-walls-66653-7071245.jpg%3Bhttp%253A%252F%252Fwww.archiexpo.com%252Fprod%252Ftoughglaze%252Flaminated-glass-panels-curtain-walls-66653-1406951.html%3B678%3B420

HISTORY Baroque Andrea

Barogie challenges rel inside outside.
Reneissance - blocks
People start realizing earth is ot flat and nit centre of unuversz.


Descartes - nithing is true

Everything is linked bt black
Transcendingvstatic untl dynamic -bernini marble statue


Formitecture
Piece if furnuture containef in architecture to relate scales.

Barogue vatican. Lw buughey. Adaptabikiuy to surrounding buukdibgs
Thibgs can have amotions and you can show that in buildings

You cannot identify whether it is designefd according to horizontal or verical lines

Obelix -marks a tuening point between the journey to all chirches
The vatican was selling places in paradise bit people jad to go on this pilhrimage to all curches in rome

Pietro da cortona
Building id growibg inside out
Buulding hzd no interior corners, single space

Bernini best sculptir
Bernini as an architevt notbso good.


Sculptird xivtril ofwhole point if view
Archutect, you cannitbsee rhe wholr buukdibg all at once

Bernin sculpture under obelisx. Managed to create a voin and object going in and out withing a solid thing

Stbpztres square
The collonade by bernini projects. If you mive in a straight line, you think the structure moves.

Interliquing curvature in a church in telhr corber of the street ti highlight uts importance
 American folk art museum facade that us derached from rhe building. Take one part of the builing and fold it.

Beginnibg of people beibg liverte din fesign. Bringubg mire elements together that become a greater piece.

Hitel building is not important the effect takes ocer.

DESIGN my precedent!

http://www.archdaily.com/233587/national-mall-winning-design-proposal-for-constitution-gardens-rogers-marvel-architects-pwp-landscape-architecture/07_cg-ecology-section/

http://www.archdaily.com/448608/huaxin-business-center-scenic-architecture/

https://www.google.co.uk/search?q=PETAL+WALL&espv=2&biw=929&bih=917&source=lnms&tbm=isch&sa=X&ei=0Hv9VNWyJIXwUorFg9AJ&ved=0CAYQ_AUoAQ#tbm=isch&q=LANDSCAPING+PLAN+SECTION&imgdii=IDrQa4po5NOf6M%3A%3Be_eRSkRycILfTM%3BIDrQa4po5NOf6M%3A&imgrc=IDrQa4po5NOf6M%253A%3BzxeHfBhXzs6f8M%3Bhttp%253A%252F%252Fwww.pwpla.com%252Fsites%252Fpwp%252Fimages%252Finline%252FComposite%252520Furnishings%252520Section_1395431805.jpeg%3Bhttp%253A%252F%252Fwww.pwpla.com%252Fprojects%252Freflecting-absence-national-september-11th-memorial%252F%2526details%3B710%3B277

DESIGN air purifying

https://www.google.co.uk/search?q=odour+extraction+air+purify&safe=off&espv=2&biw=2133&bih=1023&source=lnms&sa=X&ei=Lof8VJCcINKXaq7zgcgP&ved=0CAUQ_AUoAA&dpr=0.9

http://www.fumexinc.com/index.html

http://www.purifiedair.com/commercial-kitchen-filtration/odour-control

http://www.purifiedair.com/commercial-kitchen-filtration/odour-control/on100-odour-neutraliser

DESIGN 07.03.15

https://www.google.co.uk/search?q=bergamot+fruit&safe=off&espv=2&biw=2133&bih=1023&source=lnms&tbm=isch&sa=X&ei=LSr7VK2nLYHvUM2bg_gF&ved=0CAYQ_AUoAQ&dpr=0.9#safe=off&tbm=isch&q=juniper+greenhouse&imgdii=_&imgrc=6_6RuRVwr17BaM%253A%3BgScwj5zgG7U3_M%3Bhttp%253A%252F%252Fcdn.firstwefeast.com%252Fassets%252F2014%252F09%252FBombay-Sapphire-distillery-by-Thomas-Heatherwick-b-_dezeen_468_11.jpg%3Bhttp%253A%252F%252Ffirstwefeast.com%252Fdrink%252Fcheck-out-bombay-sapphires-stunning-new-greenhouses%252F%3B480%3B320

http://firstwefeast.com/drink/check-out-bombay-sapphires-stunning-new-greenhouses/

http://firstwefeast.com/drink/check-out-bombay-sapphires-stunning-new-greenhouses/

http://www.archdaily.com/554750/bombay-sapphire-distillery-heatherwick-studio/

http://conceptdiagram.tumblr.com/

http://www.localdistance.org/project.php?p=6

http://www.archiprix.org/2015/index.php?project=2912DESIGN 06.

DESIGN GROWING INGREDIENTS

http://www.motherearthnews.com/organic-gardening/grow-bergamot-tea-zmaz79ndzkin.aspx
http://www.forestry.gov.uk/PDF/fcin050.pdf/$FILE/fcin050.pdf
http://theherbgardener.blogspot.co.uk/2011/03/how-to-grow-tarragon.html
http://www.almanac.com/plant/lemons-oranges
http://www.scents-of-earth.com/oakmoss.html
http://www.fragrantica.com/notes/Oakmoss-39.html
https://www.google.co.uk/webhp?sourceid=chrome-instant&ion=1&espv=2&ie=UTF-8#q=extract%20perfume%20from%20oranges
http://www.fragrantica.com/notes/Orange-80.html
http://www.wikihow.com/Extract-Oil-from-Orange-Peels

DESIGN the fragrance lab selridges

http://www.dezeen.com/2014/05/02/selfridges-fragrance-lab-distill-your-character-into-a-scent/
http://www.campaigndesign.co.uk/work/selfridges-2/
https://www.google.co.uk/search?q=Philip+Handford+the+fragrance+lab&safe=off&espv=2&biw=2133&bih=1023&source=lnms&tbm=isch&sa=X&ei=1wn7VIq4F8i4UfzkgZgJ&ved=0CAYQ_AUoAQ&dpr=0.9#imgdii=RmBVp7znlgE4IM%3A%3BX_fmYxssRxfkrM%3A%3BRmBVp7znlgE4IM%3A&imgrc=RmBVp7znlgE4IM%253A%3BCj1PlZZvefqrPM%3Bhttp%253A%252F%252Fimage.digitalinsightresearch.in%252Fuploads%252Fimagelibrary%252Fdesigncurial%252FFragrance%252520Lab_Hufton_Crow_010.jpg%3Bhttp%253A%252F%252Fwww.designcurial.com%252Fnews%252Fwin-a-65-ticket-to-selfridges-fragrance-lab-experience-4269569%252F%3B700%3B467
http://ideasdesign.today/post/45/selfridges-fragrance-lab-an-attempt-to-distill-your-character-into-a-scent

http://www.urdesign.it/index.php/2014/05/13/fragrance-lab-at-selfridges-flagship-store-in-london/
http://gbphotos.photoshelter.com/image/I00000EWKy52k5R8
http://gbphotos.photoshelter.com/image/I0000sBv31eNkSr4
http://gbphotos.photoshelter.com/image/I0000NxTjk4A5rfg
http://www.stylelobster.com/category/beauty/page/10/
https://www.google.co.uk/search?tbm=isch&tbs=rimg%3ACSNg-A1zOysjIjhSY9hbaBhugm9e4sszdr0XiMvjgspkEDIoppScqXccbfka_16opHqy8mtQztjvR6rUOAi50sRe2ryoSCVJj2FtoGG6CEUsHDXc5M0hrKhIJb17iyzN2vRcRGjWvFcb-2JUqEgmIy-OCymQQMhG6zWYIchu5hyoSCSimlJypdxxtEbSsbjn1tzUwKhIJ-Rr_1qikerLwR9-7GmXe76uIqEgma1DO2O9HqtRHUpDG49ceCBCoSCQ4CLnSxF7avEbPzMRMKmC6y&q=Philip%20Handford%20the%20fragrance%20lab&ei=AQr7VJ2WBILkUpfUglA&ved=0CAkQ9C8wAA#imgdii=InhAMC-iR3sLkM%3A%3Bp9xOBN74KcEf4M%3BInhAMC-iR3sLkM%3A&imgrc=InhAMC-iR3sLkM%253A%3Bi07ewxpC5mSoqM%3Bhttp%253A%252F%252Fwww.zeutch.com%252Fwp-content%252Fuploads%252F2014%252F05%252F8-fragrance-lab-at-selfridges-flagship-store-in-london.jpg%3Bhttp%253A%252F%252Fthegrid.soup.io%252Fpost%252F426899205%252FFragrance-Lab-at-Selfridges-Flagship-Store-in%3B660%3B440

http://www.atlasenv.com/laboratories.aspx

05.05.15

http://www.tdaia.com/givaudan
https://www.behance.net/gallery/18745285/Fragrance-Archive-and-Laboratory
https://www.behance.net/gallery/4665263/Givaudan
http://www.madgi.com/portfolio/view/givaudan-nj.html
http://old.designboom.com/weblog/cat/9/view/18370/atelier-fcjz-frp-house.html


http://www.pichaus.com/all-interiors-retail-slideshows-interiors-poland-retail-shops-slideshows-theza-@4243c3791d05abdaddf6cefbcebb65de/
http://simoncyho.blogspot.co.uk/2011/03/case-study-2-21st-century-museum-of.html

http://mireldy.com/

HOW TO RESEARCH CATALOGUES

http://www.jstor.org.oxfordbrookes.idm.oclc.org/ FULL PDFs

http://web.a.ebscohost.com.oxfordbrookes.idm.oclc.org/ehost/search/advanced?sid=f3407769-6920-467f-aee1-06fc56af88ff%40sessionmgr4003&vid=0&hid=4206

https://scholar.google.co.uk/

 http://www.architecture.com/RIBA/Visitus/Library/Onlinecatalogueguide.aspx
- architectus talking about architcture

academic search complete -
LOOK AT THE NEWEST ARTICLE
LOOK AT THE BIBLIOGRAOHY OF THEA RTICLE YOU FOUND
3,4 DATABASES OPEN  use same search in each. 4 hours to do the initial research

HISTORY Michelangelo, Mannerism and Palladio by Matt Gaskin

venice - separate from italy in terms of archi style. mot a contemp city design.

MANNERISM -  PUSHING SMTH TO EXTREMES, playing with scale
DAVID - sculpture of michelangelo
SISTINE CHAPEL - mich painted 10 sq feet a day buy the end of its construction.
PIETA - vatican, michelangelo

S. LORENZO, florence - michelangelo and brunelleschi
play with walls, don t know if its decoration or structure.
windows arn t windows
emphasizing vericality of space
very little decoration
uses negative and positive space
(->VESTIBULE)
THE OLD AND NEW SACRISTY - playing games with architectural language#innovating material, use of classical language
bruny 2D
mich 3D

PALLADIO
humanist backgroung

VENICE
ship building craft
buildings made in
teh same manner as the ships
oil painting whereas in Florence - tempera, FLATTER PAINTINGS ON THE SURFACE,
awareness of nature, ondulating surface
2 light sources. from above and from the water and architects use that.

CA D'ORO (the Golden House), ANON (1422-1440)
timber foundations that allowes differents facets to the elevatuion as you move across it.

CHURCH OF SAN GIORGIO MAGGIORE (1566)
layering facades. tension in the arch space

PALLADIO - Quattro Libri (1570)

Thomas jepherson ? mimics work of palladio through transpotrt of his book in ships

VILLAS - rural architecture, escape from the urban

MALCONTENDA
building is larger and higer than the temple
two ways of gerrinf into the building so you have options if tehre s flood.
riverside, gardenside and differenr facades according to what they re facing

CAPRA
la Rotonda
sits on a hill outside la Cenza
every facade, different relationship to the landscape
not a farmhouse anymore
overemphasizing the importance of the pice of arch by the way of coming to the buildingg - cutting to the ground, working your way up

TRISSINO

BARBARO

BADOER

EMO
temple like, begins to think of landscape, a working farm
hirarchi of space- all are different from the following leading one
temple dominates
great views from different facades.

public, private, semi public, semi private according to social class. - palladio

GODI
smooth white surfaces because of good quality of light

ceilings
HARMONIC
GEOMETRIC
ARITHMETIC

RUDOLF WITTKOWER - understands pa;azios logic

Tartan grid
served space (Kahn)
approach (Corbusier)

VIRGINIA, hot summers, cold winters. palladios proportu=ions, two room deep houses, easy to heat or warm houses up. timber instead of stone is the difference.  all made because of Eobert Morris s bppk on villas proportions.

digi 3D Studio

Weld -tool used to fixthings and lake perfect shapes
Isolate and end isolate - to edit things individually
Export from rhino with ACIS .sat extension

Secrets / Life lessons.

I've learned that not everything is how we see it on the media. That a perfectly happy couple on instagram is in fact a rotten lie of comfort and toxic emotions. That nothing is the way it is. But it is the way we feel about it. Generations just made these frames that we all take as 'normal' but what is really normal is what clicks in our heart as 'right'. That some people need time. That I needed time. Time to do something before i do something else, time to learn who I am to myself before I let go of someone else's perception of me.
I've learned that it is ok to be weird. It is ok to be talked about. It is ok to be rejected. It's just all ok. In the end no one matters. We all just come and go and we stay with those who always match our energy.
I've learned that it is ok to hurt someone as long as your hurt them because of your shield and not with your gun.
And to all of you out there who still believe that mind games make things interesting. Guess what. That's wrong. And moreover, it's very low.
You want to say something? Say it.
"Yeah, but what if I don't get the feedback that I want to get?"
That might come as sad. You know what's more sad though? When you could have gotten EXACTLY the feedback that you wanted but you didn't because you never had the courage to speak up. Trust me, no one ever felt bad of knowing they're something big in your heart. If they didn't feel the same, they were still happy to know that they had an effect on you. That's flattering. And not getting a reply does not always mean there's nothing there. Sometimes it means EVERYTHING is there. But self worth tells them it's time to put that EVERYTHING in someone worthy of it all.
 And the pain of playing on and on the film in your mind of what could have been if only you said it then and there cannot compare to that of just finding our they're not on the same page as you.
I've learned that speaking your heart out is worth the risk of being rejected. And what we feel is what makes us us. Why would ever want to deny or hide ourselves when we're all supposed to be just grateful we're alive?
I've learned that people are sometimes stronger than you and sometimes weaker than you. Either way, it is not your fault or your responsibility to change them to what matches you, neither your duty to change so that you match them.
Sometimes people like that come into our lives and all we can do is observe.
Life lesson? Maybe. Or maybe it's just life. Maybe not everything is supposed to be something. Maybe it's just one of these things that comes just to teach us how to let them be and move on.