sâmbătă, 7 martie 2015

DESIGN the fragrance lab selridges

http://www.dezeen.com/2014/05/02/selfridges-fragrance-lab-distill-your-character-into-a-scent/
http://www.campaigndesign.co.uk/work/selfridges-2/
https://www.google.co.uk/search?q=Philip+Handford+the+fragrance+lab&safe=off&espv=2&biw=2133&bih=1023&source=lnms&tbm=isch&sa=X&ei=1wn7VIq4F8i4UfzkgZgJ&ved=0CAYQ_AUoAQ&dpr=0.9#imgdii=RmBVp7znlgE4IM%3A%3BX_fmYxssRxfkrM%3A%3BRmBVp7znlgE4IM%3A&imgrc=RmBVp7znlgE4IM%253A%3BCj1PlZZvefqrPM%3Bhttp%253A%252F%252Fimage.digitalinsightresearch.in%252Fuploads%252Fimagelibrary%252Fdesigncurial%252FFragrance%252520Lab_Hufton_Crow_010.jpg%3Bhttp%253A%252F%252Fwww.designcurial.com%252Fnews%252Fwin-a-65-ticket-to-selfridges-fragrance-lab-experience-4269569%252F%3B700%3B467
http://ideasdesign.today/post/45/selfridges-fragrance-lab-an-attempt-to-distill-your-character-into-a-scent

http://www.urdesign.it/index.php/2014/05/13/fragrance-lab-at-selfridges-flagship-store-in-london/
http://gbphotos.photoshelter.com/image/I00000EWKy52k5R8
http://gbphotos.photoshelter.com/image/I0000sBv31eNkSr4
http://gbphotos.photoshelter.com/image/I0000NxTjk4A5rfg
http://www.stylelobster.com/category/beauty/page/10/
https://www.google.co.uk/search?tbm=isch&tbs=rimg%3ACSNg-A1zOysjIjhSY9hbaBhugm9e4sszdr0XiMvjgspkEDIoppScqXccbfka_16opHqy8mtQztjvR6rUOAi50sRe2ryoSCVJj2FtoGG6CEUsHDXc5M0hrKhIJb17iyzN2vRcRGjWvFcb-2JUqEgmIy-OCymQQMhG6zWYIchu5hyoSCSimlJypdxxtEbSsbjn1tzUwKhIJ-Rr_1qikerLwR9-7GmXe76uIqEgma1DO2O9HqtRHUpDG49ceCBCoSCQ4CLnSxF7avEbPzMRMKmC6y&q=Philip%20Handford%20the%20fragrance%20lab&ei=AQr7VJ2WBILkUpfUglA&ved=0CAkQ9C8wAA#imgdii=InhAMC-iR3sLkM%3A%3Bp9xOBN74KcEf4M%3BInhAMC-iR3sLkM%3A&imgrc=InhAMC-iR3sLkM%253A%3Bi07ewxpC5mSoqM%3Bhttp%253A%252F%252Fwww.zeutch.com%252Fwp-content%252Fuploads%252F2014%252F05%252F8-fragrance-lab-at-selfridges-flagship-store-in-london.jpg%3Bhttp%253A%252F%252Fthegrid.soup.io%252Fpost%252F426899205%252FFragrance-Lab-at-Selfridges-Flagship-Store-in%3B660%3B440

http://www.atlasenv.com/laboratories.aspx

miercuri, 4 martie 2015

HOW TO RESEARCH CATALOGUES

http://www.jstor.org.oxfordbrookes.idm.oclc.org/ FULL PDFs

http://web.a.ebscohost.com.oxfordbrookes.idm.oclc.org/ehost/search/advanced?sid=f3407769-6920-467f-aee1-06fc56af88ff%40sessionmgr4003&vid=0&hid=4206

https://scholar.google.co.uk/

 http://www.architecture.com/RIBA/Visitus/Library/Onlinecatalogueguide.aspx
- architectus talking about architcture

academic search complete -
LOOK AT THE NEWEST ARTICLE
LOOK AT THE BIBLIOGRAOHY OF THEA RTICLE YOU FOUND
3,4 DATABASES OPEN  use same search in each. 4 hours to do the initial research


HISTORY Michelangelo, Mannerism and Palladio by Matt Gaskin

venice - separate from italy in terms of archi style. mot a contemp city design.

MANNERISM -  PUSHING SMTH TO EXTREMES, playing with scale
DAVID - sculpture of michelangelo
SISTINE CHAPEL - mich painted 10 sq feet a day buy the end of its construction.
PIETA - vatican, michelangelo

S. LORENZO, florence - michelangelo and brunelleschi
play with walls, don t know if its decoration or structure.
windows arn t windows
emphasizing vericality of space
very little decoration
uses negative and positive space
(->VESTIBULE)
THE OLD AND NEW SACRISTY - playing games with architectural language#innovating material, use of classical language
bruny 2D
mich 3D

PALLADIO
humanist backgroung

VENICE
ship building craft
buildings made in
teh same manner as the ships
oil painting whereas in Florence - tempera, FLATTER PAINTINGS ON THE SURFACE,
awareness of nature, ondulating surface
2 light sources. from above and from the water and architects use that.

CA D'ORO (the Golden House), ANON (1422-1440)
timber foundations that allowes differents facets to the elevatuion as you move across it.

CHURCH OF SAN GIORGIO MAGGIORE (1566)
layering facades. tension in the arch space

PALLADIO - Quattro Libri (1570)

Thomas jepherson ? mimics work of palladio through transpotrt of his book in ships

VILLAS - rural architecture, escape from the urban

MALCONTENDA
building is larger and higer than the temple
two ways of gerrinf into the building so you have options if tehre s flood.
riverside, gardenside and differenr facades according to what they re facing

CAPRA
la Rotonda
sits on a hill outside la Cenza
every facade, different relationship to the landscape
not a farmhouse anymore
overemphasizing the importance of the pice of arch by the way of coming to the buildingg - cutting to the ground, working your way up

TRISSINO

BARBARO

BADOER

EMO
temple like, begins to think of landscape, a working farm
hirarchi of space- all are different from the following leading one
temple dominates
great views from different facades.

public, private, semi public, semi private according to social class. - palladio

GODI
smooth white surfaces because of good quality of light

ceilings
HARMONIC
GEOMETRIC
ARITHMETIC

RUDOLF WITTKOWER - understands pa;azios logic

Tartan grid
served space (Kahn)
approach (Corbusier)

VIRGINIA, hot summers, cold winters. palladios proportu=ions, two room deep houses, easy to heat or warm houses up. timber instead of stone is the difference.  all made because of Eobert Morris s bppk on villas proportions.





digi 3D Studio

Weld -tool used to fixthings and lake perfect shapes
Isolate and end isolate - to edit things individually
Export from rhino with ACIS .sat extension

duminică, 1 martie 2015

Secrets / Life lessons.

I've learned that not everything is how we see it on the media. That a perfectly happy couple on instagram is in fact a rotten lie of comfort and toxic emotions. That nothing is the way it is. But it is the way we feel about it. Generations just made these frames that we all take as 'normal' but what is really normal is what clicks in our heart as 'right'. That some people need time. That I needed time. Time to do something before i do something else, time to learn who I am to myself before I let go of someone else's perception of me.
I've learned that it is ok to be weird. It is ok to be talked about. It is ok to be rejected. It's just all ok. In the end no one matters. We all just come and go and we stay with those who always match our energy.
I've learned that it is ok to hurt someone as long as your hurt them because of your shield and not with your gun.
And to all of you out there who still believe that mind games make things interesting. Guess what. That's wrong. And moreover, it's very low.
You want to say something? Say it.
"Yeah, but what if I don't get the feedback that I want to get?"
That might come as sad. You know what's more sad though? When you could have gotten EXACTLY the feedback that you wanted but you didn't because you never had the courage to speak up. Trust me, no one ever felt bad of knowing they're something big in your heart. If they didn't feel the same, they were still happy to know that they had an effect on you. That's flattering. And not getting a reply does not always mean there's nothing there. Sometimes it means EVERYTHING is there. But self worth tells them it's time to put that EVERYTHING in someone worthy of it all.
 And the pain of playing on and on the film in your mind of what could have been if only you said it then and there cannot compare to that of just finding our they're not on the same page as you.
I've learned that speaking your heart out is worth the risk of being rejected. And what we feel is what makes us us. Why would ever want to deny or hide ourselves when we're all supposed to be just grateful we're alive?
I've learned that people are sometimes stronger than you and sometimes weaker than you. Either way, it is not your fault or your responsibility to change them to what matches you, neither your duty to change so that you match them.
Sometimes people like that come into our lives and all we can do is observe.
Life lesson? Maybe. Or maybe it's just life. Maybe not everything is supposed to be something. Maybe it's just one of these things that comes just to teach us how to let them be and move on.